Publication:HRRPTTRNDD2005

Front jacket flap
Statements of bibliographic interest on the lower part of the front jacket flap.

Back jacket flap
Statements of bibliographic interest on the lower part of the back jacket flap.


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Title page

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and the Half-Blood Prince (illustration) by J. K. Rowling Illustrations by Mary GrandPré
 * align=center|Harry Potter
 * align=center|Harry Potter

Arthur A. Levine Books An Imprint of Scholastic Inc.


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Copyright page

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Illustrations by Mary GrandPré copyright &copy; 2005 by Warner Bros. HARRY POTTER, characters, names and related indicia are trademarks of and &copy; Warner Bros. Harry Potter Publishing Rights &copy; J. K. Rowling. All rights reserved. Published by Arthur A. Levine Books, an imprint of Scholastic Inc., Publishers since 1920. SCHOLASTIC, the LANTERN LOGO, and associated logos are trademarks and/or registered trademarks of Scholastic Inc.
 * align=center|Text copyright &copy; 2005 by
 * align=center|Text copyright &copy; 2005 by

No part of this publication may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012.

Library of Congress Control Number: 2005921149

ISBN 0-439-78454-9

10 9 8 7 6 5 4 3 2 1   05 06 07 08 09 Printed in the U.S.A.    23 First American edition, July 2005
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Page 659 - acknowledgments/credits

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This book was art directed by David Saylor. The art for both the jacket and the interior was created using pastels on toned ''printmaking paper. The text was set in 12-point Adobe'' Garamond, a typeface based on the sixteenth-century type designs ''of Claude Garamond, redrawn by Robert Slimbach in 1989. The book was'' typeset by Brad Walrod and was printed and bound at RR Donnelley in Harrisonburg, Virginia, on paper that is free of fiber from ''ancient forests. The Managing Editor was Karyn'' Browne; the Continuity Editor was Cheryl Klein; and the Manufacturing Director was Angela Biola.
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